{"id":543,"date":"2026-09-30T03:36:29","date_gmt":"2026-09-30T03:36:29","guid":{"rendered":"https:\/\/miruart.info\/?page_id=543"},"modified":"2026-09-30T03:36:30","modified_gmt":"2026-09-30T03:36:30","slug":"work-detail-offering","status":"publish","type":"page","link":"https:\/\/miruart.info\/de\/work-detail-offering\/","title":{"rendered":"WERKBESCHREIBUNG - Offering"},"content":{"rendered":"<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"809\" height=\"1024\" src=\"https:\/\/miruart.info\/wp-content\/uploads\/2026\/09\/Singapura-21-2026-cut_Offering-1-809x1024.jpeg\" alt=\"\" class=\"wp-image-549\" srcset=\"https:\/\/miruart.info\/wp-content\/uploads\/2026\/09\/Singapura-21-2026-cut_Offering-1-809x1024.jpeg 809w, https:\/\/miruart.info\/wp-content\/uploads\/2026\/09\/Singapura-21-2026-cut_Offering-1-237x300.jpeg 237w, https:\/\/miruart.info\/wp-content\/uploads\/2026\/09\/Singapura-21-2026-cut_Offering-1-768x972.jpeg 768w, https:\/\/miruart.info\/wp-content\/uploads\/2026\/09\/Singapura-21-2026-cut_Offering-1-1214x1536.jpeg 1214w, https:\/\/miruart.info\/wp-content\/uploads\/2026\/09\/Singapura-21-2026-cut_Offering-1-9x12.jpeg 9w, https:\/\/miruart.info\/wp-content\/uploads\/2026\/09\/Singapura-21-2026-cut_Offering-1-1618x2048.jpeg 1618w, https:\/\/miruart.info\/wp-content\/uploads\/2026\/09\/Singapura-21-2026-cut_Offering-1-scaled.jpeg 2023w\" sizes=\"auto, (max-width: 809px) 100vw, 809px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><sub>Dieses Werk ist Teil eines fortlaufenden Zyklus, der sich mit den ambivalenten Zust\u00e4nden der heutigen Existenz besch\u00e4ftigt.<\/sub><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Titel<\/strong> <em>Offering<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Medium:<\/strong> Acryl und Assemblage auf Leinwand<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Jahr: <\/strong>2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Format:<\/strong> Hochformat (24 x 30 Zoll)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Farbraum:<\/strong> Violett, Aubergine und dunkles Blau bestimmen das Reich der Toten. Leuchtende Gr\u00fcn-, Mint- und Gelbgr\u00fcnt\u00f6ne bilden die Welt des Lebens. Der zinnoberrote Verschluss, die goldene Opfergabe sowie helle und schwarze Applikationen setzen die zentralen Akzente.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Stilistische Einordnung:<\/strong> Geometrisch-konstruktive Farbfl\u00e4chen treffen auf unregelm\u00e4\u00dfige Schwammstrukturen und plastische Applikationen. Die klare, gefaltete Au\u00dfenwelt steht einem dunkleren, atmosph\u00e4risch verdichteten Innenraum gegen\u00fcber.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>\u201eOffering\u201d<\/em><\/strong> entstand aus einer Veranstaltung bei Temenggong Artists-in-Residence in Singapur, die sich mit chinesischer Ahnenverehrung und der fortdauernden Beziehung zwischen Lebenden und Toten besch\u00e4ftigte. <em>Offering<\/em> fragt, was die Lebenden den Toten schulden \u2013 und wie viel Macht die Toten \u00fcber das Leben behalten d\u00fcrfen.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>F\u00fcrsorge f\u00fcr die Toten<\/strong><br>Die vier hellen, an den Innenraum gebundenen Fragmente stehen f\u00fcr aufeinanderfolgende Generationen, die durch Erinnerung und Ritual in der Familie gegenw\u00e4rtig bleiben. \u00dcber den roten Ausleger wird ihnen eine goldene Gabe gereicht. Sie kann Dankbarkeit, Respekt und das Bed\u00fcrfnis ausdr\u00fccken, eine Beziehung \u00fcber den Tod hinaus fortzuf\u00fchren. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Der violette Raum erscheint dabei nicht leer, sondern verdichtet und kaum vollst\u00e4ndig erfassbar. Die Toten sind der sichtbaren Welt entzogen, bleiben jedoch Teil einer famili\u00e4ren und kulturellen Ordnung.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Schutz der Lebenden<\/strong><br>Der rote Verschluss begrenzt den Einfluss der Totenwelt. Sein schmaler Schlitz erm\u00f6glicht die Gabe, verhindert aber eine ungehinderte Bewegung in die Gegenrichtung. Das dunkelviolette Fragment n\u00e4hert sich dieser \u00d6ffnung und verweist auf das, was nicht befriedet oder in die Ordnung der Erinnerung aufgenommen ist.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> Die gr\u00fcne Au\u00dfenwelt behauptet demgegen\u00fcber ihre eigene Kraft. Ihre wechselnden Lichtfelder, unregelm\u00e4\u00dfigen Strukturen und die plastische, ge\u00f6ffnete Form im unteren Bereich stehen f\u00fcr Wachstum, Ver\u00e4nderung und die Eigenst\u00e4ndigkeit des Lebens. Erinnerung darf bestehen, aber sie darf das Leben nicht vollst\u00e4ndig besetzen.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Konklusion<\/strong><br>\u201cOffering\u201d stellt F\u00fcrsorge und Abgrenzung als zwei gleichberechtigte Bed\u00fcrfnisse dar. Die Gabe h\u00e4lt die Verbindung zu den Toten aufrecht; der Verschluss sch\u00fctzt zugleich die Freiheit der Lebenden. Die Grenze bleibt offen genug f\u00fcr Erinnerung \u2013 und geschlossen genug f\u00fcr das Leben. Das Bild folgt dem Prinzip der <em>Integrit\u00e4t von Ambivalenz<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/miruart.info\/galerie\">Zur\u00fcck zur Galerie<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>This work is part of an ongoing cycle exploring ambivalent states of contemporary existence. Title: Offering Medium: Acrylic and assemblage on canvas Year: 2026 Format: Portrait format (24 \u00d7 30 inches) Colour Space: Violet, aubergine and deep blue define the realm of the dead. Greens, mint and luminous yellow-green form the world of the living. 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